The author brings in Kafka’s own battle with his father, as I thought he would, discussing both his famous letter to his father and his short story, The Judgment. And he makes the connection work well between this and the family dramas of the rest of the Frankfurt school. But he adds a fascinating twist. Jeffries talks about Eric Fromm’s interest in Bachofen:
“As an adult, Fromm became steeped in the work of the nineteenth-century Swiss Lutheran jurist Johan Jacob Bachofen, whose 1861 book Mother Right and the Origins of Religion provided the first challenge to the prevailing orthodoxy that patriarchal society represented a natural state of affairs, and thereby validated capitalism, oppression and male hegemony, as Fromm’s biographer Lawrence Friedman argues.… |To be Continued “More From the Grand Hotel Abyss”
Just beginning this already fascinating group biography of the Frankfurt School. The author, Stuart Jeffries, is sketching out the foundation for this group portrait, primarily through a concentration on one generation’s battle with the previous generation — mostly set in Berlin. I imagine that further reading will see this expand greatly, and that he won’t remain there, in “anxiety of influence” territory. Not that there’s anything wrong with that, but it would be reductive to base the amazing work of Walter Benjamin, Theodor Adorno, Max Horkheimer and the rest of the critical theorists in this “school” solely on the clash of values between fathers and sons.… |To be Continued “Grand Hotel Abyss: by Stuart Jeffries”
Some songs follow a course that makes sense, mathematically. As if someone raises a hand, lowers it, raises it higher again, and forms a pattern you can count on, anticipicate. You basically can hear the next movement in your head before it happens, but that’s not a bad thing, or a boring thing, if the music can match emotion with the math.