Classic Contrapuntal: Panic at the Disco

Classic Contrapuntal: Panic at the Disco

Some songs follow a course that makes sense, mathematically. As if someone raises a hand, lowers it, raises it higher again, and forms a pattern you can count on, anticipicate. You basically can hear the next movement in your head before it happens, but that’s not a bad thing, or a boring thing, if the music can match emotion with the math.

Panic at the Disco, a Vegas band I had not bumped into until this year, does that with their song, “Death of a Bachelor,” from their new album by the same name. Though it might not be accurate to call “them” a band any longer. This album appears to be the work of its lone original member (from its inception in 2004), vocalist Brendon Urie, though one could say the band’s lineup is still in flux. Regardless, the new album is basically his baby, and the man can sang it!

In a 2015 interview with Alt 98.7, Urie said “It’s going to be a little bit different, it’s this mix between Sinatra and Queen, if that makes any sense.” It does. Speaking on the day of its release, Urie paid homage to Sinatra: “His music has been a major player in the soundtrack of my life. So it’s only right that I return the favor and/or pay it forward. I wrote a new album this year and even in the few songs that don’t sound remotely similar to any of his music I still felt his influence in the writing and the need to relate so personally to each song. “Death Of A Bachelor” is very important to me. It expresses the bittersweet (but mostly sweet) end of an era. A look back at a part of my life now deceased. An “It’s A Wonderful Life”-esque look into a possibly different future. But mostly an appreciation for the present.”

It’s a solid reminder that great music is never dated, or too old for the young to love, or anyone young at heart.

 

 

 

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