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Only They Know What is Known

Only They Know What is Known

The Kiss (Lovers), oil and gold leaf on canvas, 1907–1908.

The eternal question(s): Does it matter what the artist intended? His or her background? His or her influences, research, working methods? Do these things matter when it comes to how an audience interprets or should interpret their work?

Yes and no and maybe and perhaps, in no particular order. As in, great works of art, at least, don’t require the acquisition of such knowledge (to be appreciated), though that knowledge may enhance the experience. It can also ruin it, or something in between. The continuum is there, with its myriad nuances and degrees.… |To be Continued “Only They Know What is Known”

The Parable of the I

The Parable of the I

Tilted Gardens

Brains trick us. Not just those who use them, and use them carefully, creatively. Those who never use them are tricked too. We see things not as they are, but as our minds want us to see them. This provides a great deal of amusement for our brains, which is their sole reason for existing anyway. We seriously amuse them; they love this about us; and they tolerate us because of that. Take away our comedic efforts, and they’d shut us down in a heartbeat. For that matter, they’d shut down our hearts, too.

I love taking pictures of that exact moment in time when our brains are trying to pull a fast one on us, translating, as mentioned, what is into what they want us to see.… |To be Continued “The Parable of the I”

Colors are Heroic.

Colors are Heroic.

Hieros Gamos, by Douglas Pinson. 1982/1983
Hieros Gamos, by Douglas Pinson. 1982/1983

When I was very young, I didn’t see this. I didn’t see the heroism of color, or the way we make colors ourselves, in our eyes, in our mind’s eye, or the bravery of Nature’s way, or its tremendous courage in painting as it does.

Yes, Nature paints, and that’s not just a Romantic notion. It’s not some pseudo-poetic way of describing the ineffable. It just paints. Nothing comes close to the skill set of Nature in regard to — well, everything, really. Especially shadows, colors, light, polarities of darkness and light. And nothing can reach its sublime power in making opposites cohere, mesh, harmonize, complement.… |To be Continued “Colors are Heroic.”

Neil Ellman: A Rose is a Phantom of a Rose

Neil Ellman: A Rose is a Phantom of a Rose

Some Roses and Their Phantoms

(after the painting by Dorothea Tanning)

 

 

When roses die their petals shed
like skin peeled from a snake
with nothing left but the phantom-coils
of yesterday’s blooms they shrivel
and spool, curl into shapeless knots
to live among the dead      
where the ghosts of roses go
to hide and be alone
with thoughts of might have been
springs that would never come.  

 — by Neil Ellman

 

 

Copyright © 2013, by Neil Ellman. All Rights Reserved

 

 

Twice nominated for Best of the Net, as well as for the Rhysling Award from the Science Fiction Poetry Association, Neil Ellman writes from New Jersey.  … |To be Continued “Neil Ellman: A Rose is a Phantom of a Rose”

Happy New Year, 2013!

Happy New Year, 2013!

We have new fiction from Lara Dolphin and Donal Mahoney, an essay by Robert Mueller, and new poetry by John Saunders. 2013 is off to a very good start.

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 Watched a flawed by still interesting movie last year, “The Words.” It’s about a writer’s dilemma upon discovering a truly brilliant novel, in an old briefcase. He reads the novel and is stunned. His own writing career has hit a wall, and he’s on the edge of desperation. No one will publish his own novel, though editors have nice things to say about it. The consensus among them is it’s just not marketable. … |To be Continued “Happy New Year, 2013!”

Robert Mueller: Anna Shukeylo’s Urban Diaries

Robert Mueller: Anna Shukeylo’s Urban Diaries

How to Do Urban, by New Yorker of Choice

 
Two young women, art students, funnel into the bleak and lead-like dreary light of the subway car grasping in their hands, by the frames on which they have been crafted, smallish paintings (maybe 12 by 16).  Apparitions they are, the young artists, and holdings of the imagination, their finished images that I may never have the opportunity to observe again.
In New York City one can still think of opportunities not as tearless moments to rebuild upon destruction and demolition, but rather as the unexpected and normal continuance of spirit, (perhaps still) unlike any emanation of spirit anywhere else in the world. … |To be Continued “Robert Mueller: Anna Shukeylo’s Urban Diaries”

Conversations With the No-Self

Conversations With the No-Self

For December, welcome aboard new poetry, fiction and art from Uzodinma Okehi, Maurice Devitt, Eric Muller, and Dr. Ernest Williamson III.

 

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Paintings from Cave Chauvet
Paintings from Cave Chauvet

So, I was thinking. Or the Not-I was positing. Or the far-be-it-from-me was asking . . . just who are we trying to reach when we make art? Who are we avoiding? Is it cut and dried, black and white and obviously obvious? Or is it all just a complex web of interdependent actors caught up in a systemic communication loop not of our own making? Do we own the dialogue at some point, or never?… |To be Continued “Conversations With the No-Self”

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