The Tempest before the storm. Rocky shores, an island, a remote, semi-protected place for women alone. But they aren’t. And they know it. They know what awaits them offshore. They know what surrounds them, has always surrounded them. They know the countless obstacles in their way. Not just being young women. But being young women in love. Being jeune filles who love each other in 18th century France. Or anywhere else, for that matter.
Directed by Geoffrey Orthwein and Andrew Sullivan, Bokeh is a beautifully understated Sci-Fi movie about the last two humans and what life might mean in that end of days context.
Jenai (Maika Monroe) and Riley (Matt O’Leary), a young couple from America, take a romantic trip of a lifetime to Iceland, and only the first day is “normal.” Deep into that first night, Jenai wakes up, goes over to the hotel window, sees what looks like the Aurora Borealis, and then a flash of light that spreads across the screen. She goes back to sleep. The next day, as they walk through town, she and Riley quickly learn everyone else has disappeared.… |To be Continued “Bokeh: The Blur Before and After”
Genius is the kind of film literary buffs may like a lot more than we should. One reason for this, I’m guessing, is the rarity of the subject matter for a Hollywood production: literary lives. Specifically, the dynamic between editor and novelist. Maxwell Perkins and Thomas Wolfe are the central characters, with cameos from Fitgerald and Hemingway, two (more famous) authors Perkins also helped usher into world renown.
Colin Firth plays Maxwell Perkins, with Jude Law as Wolfe, Laura Linney as Louise Perkins and Nicole Kidman as Aline Bernstein, Wolfe’s patroness and lover. It may seem odd that most of the leads are British or Australian, and that the New York scenes were mostly filmed in Manchester and Liverpool, UK.… |To be Continued “Genius”
We adapt. We create new fictions in order to adapt. The more things are beyond our control, the more fictions we create. This is the basic setup for one of the best films of 2015, “Room,” starring Brie Larson, who won an Oscar for her role as Joy, mother of five-year-old Jack.
The room in question is a shed. It’s their entire world, mother and son’s. They are not allowed to leave. Joy invents games and stories and explanations for Jack, in order to make this extraordinary situation ordinary. She invents games and stories and explanations in order to shield her boy from the harsh realities of life as a captive, a woman kidnapped seven years ago by a man they both call “Old Nick.”… |To be Continued “Room”
Surprisingly good, fresh, funny and touching, Me and Earl and the Dying Girl tells the story of high school kids, coming of age, learning not just about life, but about death, and how we still keep discovering new things about people after they’re gone. Even the most important things. We still keep learning about ourselves in the process, and that how we treated them while they were on this planet is everything — well, except for realizing this should apply to the not-dying too.
Young Greg Gaines, played by Thomas Mann, is a senior in a Pittsburgh high school, and he’s socially awkward, very hard on himself, and tries his best to navigate through all the baffling teenage factions without ever getting involved in any one of them.… |To be Continued “Me and Earl and the Dying Girl”
One of the best films of the past year is Timbuktu, directed by Abderrahmene Sissako. Understated, beautifully shot and composed, it tells the story of a village, a people, caught in the arbitrary and repressive grip of a Jihadist takeover. The focus of the film, but never at the cost of the village’s story itself, is a small family on the outskirts of Timbuktu, making a life on the dunes. Kidane, the father, Satima, the mother, their daughter Toya, and the young shepherd, Issan. Perhaps because of their existence on the periphery, this small family had managed to avoid most of the cultural and social repression being arbitrarily imposed on those in the village, but a tragic accident changes all of that.… |To be Continued “Timbuktu”
In the last several years, there has been a long over due spate of films with women as heroes. Two recent movies have told the tale of women, based on their memoirs, testing themselves against the harshest of elements, against nature, striving to go beyond their previously known levels of endurance. This has long been the staple of hero stories for men. But it seems that finally women are getting a chance to show what they can do, what they’ve always been able to do. Tracks, a fine film, directed by John Curran and starring Mia Wasikowska, tells the true story of Robyn Davidson’s (1977) journey, 1700 miles across Australian deserts, with camels and a dog, to reach the Indian Ocean.… |To be Continued “It's Their Turn”